
I will say, right away, that this is a 'listen to it twice' album. Really, with most albums, you should listen at least twice, but I don't always feel the need to do that. It's like leaving meat in the fridge overnight to let the spices soak in; you just hear everything a little differently the second time around. Once it's soaked in a bit. The first time I scanned this album (listened to it), I didn't really like it. It was kind of boring. True, I wasn't really listening, but I could tell it wasn't my sort of thing. So, I listened again. I can see why Rolling Stone, NME and Pitchfork all gave creds for this album. It's, I have to say, not that bad.

Harvey is successful in telling her own city story. Her previous albums had had a more melancholy sound, and she worked to make this one lighter. The first song on the album, "Big Exit", hits you with powerful guitar, and then a strong woman's voice. I have to say, it's nice to review a woman's album again. There is power within the whole album, but there is also repetitiveness. The sound doesn't change too much. Some might like that, but I don't. That is probably what made me feel bored the first time around.

Overall, pretty good album. According to its placement, I wouldn't put this above Kings Of Leon, Arctic Monkeys (that was way too low on the list) , Fleet Foxes or U2, but it does deserve to be on the list. It wasn't my favorite, nor was it easy to review (sorry if this review seems to suck), but definitely listen to it. And definitely more than once.
-Raivynn

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